Guitar Recorded
Guitar Recorded
How To Record Electric Guitar
Recording in the home studio is done more and more these days. The electric guitar is well suited to being captured within the restrictions of this environment. Guitar amplifiers are naturally quite loud, so compared to recording violin, less soundproofing is required, not to mention the possibility of using the vast array of Amp Simulators. With Amp Simulators, a good DI or a hardware amp simulator is all you need!
So all you have in your home studio beside your instruments and amp is an MBOX, a few microphone leads, a dynamic and condenser microphone, computer, monitors and a stand! Not much, but more than enough to capture a great guitar recording. As two inputs are enough in most cases, some interesting techniques can help you get the sound you’ve always wanted.
One of the first things to do is make sure you have a great sounding instrument that is properly setup, has relatively new strings and of course, is in tune. An out of tune guitar is one of the remaining things that you can’t “Fix” in pro tools! A good amplifier which suits the music and sound you’re after and of course, a good guitar lead. You wouldn’t believe the differences one lead to another can make! I’ve always thought of this as ‘gobbledygook’, but believe me, there are definitely differences!
If you don’t have a vast array of microphones to choose from, try each different microphone in your collection to see which one you like best. As always, trust your ears and go with the one that sounds best to you. It may not be the ‘Typical’ microphone for the job, but it may be the best choice depending on the sound you’re after.
There are many different schools of thought when it comes to recording guitar amplifiers, none of which is the quintessential method, nor any wrong. Some people like to place two different sounding microphones up close, one sure SM57 close, a 57′ up close and a condenser in omnimode somewhere within the room capturing the natural reflections, a ribbon microphone is also often used.
I have come to the conclusion that there is no “Best Method,”; experimentation is the key. A useful way of determining how the microphone sounds when in record is to send the audio back to a pair of noise-reducing headphones(In-Ear Monitors are best) whilst moving the microphone around the amplifier and the room, listening to the varying sounds that are produced. You will need to have another guitar player playing or simply use a loop pedal to feed guitar signals into your amp. You will be amazed by the differences. Also as the guitar is loud, it’s a good idea to place the amplifier in a different room to your control room as you will be able to hear how it sounds through the monitors as well as your headphones.
There are two, prevalent microphone positions for recording guitar amplifiers. One is “On Axis” and the other is “Off Axis”. Off Axis is when the microphone is aimed at an angle to the speaker cone and On Axis is when the microphone is pointed towards the speaker cone. On Axis will give you a more upfront and fuller sound, where off axis the soundwaves hit the microphone capsule on an angle giving it a thinner sound. On axis also gives the best rejection from outside noises and other instruments. This is useful when doing live recordings or when sound proofing isn’t accessible.
Some people like to record guitar amps really loud to get “That sound”, whilst others prefer to record a lower levels. I believe this greatly depends on the amplifier given; a 1watt amp will distort at lower levels than a 100watt amp. At the end of the day, it’s what sounds best to you and how you play. All of the above are simply guides to your endless world of experimentation recording guitar amplifiers. Good luck!
About the Author
Want your Recording to sound professional? Find all of the best Cheap Recording Studios Melbourne Secrets here. Get the best sounds, tips and advice at Recording Studios Melbourne.
Guitar Recorded
How To Record Electric Guitar
Recording in the home studio is done more and more these days. The electric guitar is well suited to being captured within the restrictions of this environment. Guitar amplifiers are naturally quite loud, so compared to recording violin, less soundproofing is required, not to mention the possibility of using the vast array of Amp Simulators. With Amp Simulators, a good DI or a hardware amp simulator is all you need!
So all you have in your home studio beside your instruments and amp is an MBOX, a few microphone leads, a dynamic and condenser microphone, computer, monitors and a stand! Not much, but more than enough to capture a great guitar recording. As two inputs are enough in most cases, some interesting techniques can help you get the sound you’ve always wanted.
One of the first things to do is make sure you have a great sounding instrument that is properly setup, has relatively new strings and of course, is in tune. An out of tune guitar is one of the remaining things that you can’t “Fix” in pro tools! A good amplifier which suits the music and sound you’re after and of course, a good guitar lead. You wouldn’t believe the differences one lead to another can make! I’ve always thought of this as ‘gobbledygook’, but believe me, there are definitely differences!
If you don’t have a vast array of microphones to choose from, try each different microphone in your collection to see which one you like best. As always, trust your ears and go with the one that sounds best to you. It may not be the ‘Typical’ microphone for the job, but it may be the best choice depending on the sound you’re after.
There are many different schools of thought when it comes to recording guitar amplifiers, none of which is the quintessential method, nor any wrong. Some people like to place two different sounding microphones up close, one sure SM57 close, a 57′ up close and a condenser in omnimode somewhere within the room capturing the natural reflections, a ribbon microphone is also often used.
I have come to the conclusion that there is no “Best Method,”; experimentation is the key. A useful way of determining how the microphone sounds when in record is to send the audio back to a pair of noise-reducing headphones(In-Ear Monitors are best) whilst moving the microphone around the amplifier and the room, listening to the varying sounds that are produced. You will need to have another guitar player playing or simply use a loop pedal to feed guitar signals into your amp. You will be amazed by the differences. Also as the guitar is loud, it’s a good idea to place the amplifier in a different room to your control room as you will be able to hear how it sounds through the monitors as well as your headphones.
There are two, prevalent microphone positions for recording guitar amplifiers. One is “On Axis” and the other is “Off Axis”. Off Axis is when the microphone is aimed at an angle to the speaker cone and On Axis is when the microphone is pointed towards the speaker cone. On Axis will give you a more upfront and fuller sound, where off axis the soundwaves hit the microphone capsule on an angle giving it a thinner sound. On axis also gives the best rejection from outside noises and other instruments. This is useful when doing live recordings or when sound proofing isn’t accessible.
Some people like to record guitar amps really loud to get “That sound”, whilst others prefer to record a lower levels. I believe this greatly depends on the amplifier given; a 1watt amp will distort at lower levels than a 100watt amp. At the end of the day, it’s what sounds best to you and how you play. All of the above are simply guides to your endless world of experimentation recording guitar amplifiers. Good luck!
About the Author
Want your Recording to sound professional? Find all of the best Cheap Recording Studios Melbourne Secrets here. Get the best sounds, tips and advice at Recording Studios Melbourne.
How To Connect A Guitar To A Computer
So many players want to record guitar playing on their computer. Digital recording is more popular than ever for pros and amateurs alike. But there are some things to be considered when you connect a guitar to a computer; mostly how you want to connect the instrument, and the quality of the recording you hope to capture. The type of guitar computer interface you choose will greatly affect the sound of the electric guitar through the computer and the overall recording you can expect.
While it is possible to play guitar through a PC just by plugging it in, this basic approach is likely to be fine for most though many players don’t like sacrificing a good sound for the ease of quick setup. Electric players need a ‘high impedance’ input to get their electric guitar to connect to a computer, and though most computer soundcards come with high impedance inputs, these inputs are usually not strong enough to get a good guitar signal or in the long run, for recording guitar effects for PC. This lower ‘impedance’ can cause noise problems too. A player can avoid all this of course by plugging the guitar into a ‘line-in’ jack, instead of the ‘mic-in’, but then the all-important preamp is needed.
Almost any one attempting to connect a guitar through their computer or familiar with recording a guitar into a mixing consol should be familiar with a preamp. The preamp does exactly what its name implies, it “amps” the signal before it goes into the plug-in. Therefore your guitar’s signal will get that extra boost it needs when you record guitar on a pc…or into any other device that is not an amp. There are plenty of external interfaces that combine computer soundcards with a preamp. Or if you like more components to you set-up you can always buy a preamp separate from your sound card. There are a lot of stand-alone vintage preamps out there that will not only boost your signal, but warm your sound before it goes into the ‘cooler’ digital domain of your pc.
It’s not only the pristine quality of digital that makes recording guitar on a pc so much fun, it is also portability. With very little equipment you can put down a riff (or an entire song actually) into a laptop! And added to all this wonderful technology is the fact that there are so many recording guitar effects for pc now on the market, a player can access different amp sounds and settings, effects. Well after you have wrestled with how to connect a guitar to your pc and have recorded a strong signal, you can call record guitar effects with pc during recording or in post-production.
Of course information about how to connect your guitar to a pc and the wonderful wide world of effects is available through an on-line pc guitar tutor and websites devoted to digital recording. You can even purchase a computer guitar tuner (some programs include a free computer guitar tuner) so everything you will ever need is self-contained in your rockin’ pc! Some players are even recording parts, then downloading and sending these pieces of tunes to musician’s half-way across the world.
The possibilities really are unlimited for the guitar player who says: “I want to connect a guitar to my pc”; he or she will be amazed at the varied and easy results they can achieve when they simply start recording guitar on a pc.
About the Author
Brad Finley is senior editor of MyGuitarWorkshop –
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